Gavin Andrew Benjamin promotion photo. From his website.
Gavin Andrew Benjamin’s life can be described as flowing, originally from Guyana. His family moved from Guyana to Brooklyn, New York. Now he’s a resident artist in Radiant Hall in Lawrenceville.
He’s done commercial photography, painting, audio, printmaking, interior design, furniture, even theatre sets. He loves storytelling in his art, and he attributes it, to his love of television and movies.
Local Pittsburgh’s Tyler Polk had an interview with Benjamin.
This interview was edited for clarity.
Being originally from Guyana and grew up in Brooklyn, how have these places shaped your art style?
It’s interesting. Well, there's my love of color, bright things, which is very different in Brooklyn, which is dark and somber. And it's different sort of, ying and yang. Brooklyn is actually cooler than Manhattan now. The outer borrows, like the edges of Brooklyn where artists are now living or trying to make a living, to live there. I go back to New York quite a bit.
Why did you move to Pittsburgh? What do you like about living here?
It's small. It's close to New York. My friends were in DC. It's got a decent life. It's kind of like the gateway to going back home to New York or seeing your friends in DC.
Did you go to school for Art? Was there any experience you had that helped your career?
I have a Bachelor of Fine Arts from the School of Visual Arts in New York City. It's a very important art school actually within the community, within the world, within the country. I had many internships, but my favorite internship was with Arnold Lehman, a photographer. I just learned a lot from him as a photographer. I got to go through his files, I got to see prints that I would never, ever touch with my own hands. I got to hear his stories which were amazing, so I got to just observe and just grab a little part of his history.
Benjamin's photo of water lilies. Shot at Phipps Botanical Gardens. Photo by Tyler Polk.
You’ve had art galleries in places like Paris, Miami, Atlanta, New York, Austin, Texas. How did you get the residency at Radiant Hall?
A friend of my connection because I was just looking some space. As an artist, I like to roam around and be creative without having things live in my head and this is a place that I can do that, and if I want to be social, I can be social. It allows me to have a life and the best quality of life.
What is your favorite medium to work on?
What I am working on right now, photography. It's, I think it's, for me, I had a chance to play a lot. So I got to just like hang out and work and just try different things, so I was pretty lucky. I got to learn a lot on the fly as a photo editor for a couple of years in New York. So, I got to really play, and I got to learn and so I got to do all the things that I really wanted to do before I ended up where I really wanted to be right now. So, furniture was part of that in the past. That still has influences in my work today, with architecture and design.
Talk about some of your work. What are your favorite pieces you’ve done?
This one, I shot at a pond in Phipps Botanical Gardens. It’s a similar photo to Monet’s Water Lilies. It's capturing a moment, it's capturing a time period, and so for me, it's this moment I was having where I was paying homage to another artist. It's like my rift in that art.
You wanted to make it pop out to the people who viewed his stuff.
Yes, it's a rift of many artists, you know it has a little bit of pop culture, which is like Andy Warhol-like, it's got a little bit of Monet. So, it's like the past and present, sort of in the future. You know it's sort of that whole other mash-up, this piece.
Image from the Alcoa Building Conference room shot by Gavin Andrew Benjamin. Photo by Tyler Polk.
What other pieces would you like to show me?
This was shot in the Alcoa Building conference room. That's a series that I'm working on. And with this piece, basically, it was more like the moment of this room, that had this power of all these great men who used to be in this room, and now it's been stripped and this is what's left of it, and that's something that's really interesting. for the narrative of the story, and when you stand back and you look at it, you can feel it now. Something larger, something cinematic, that you really look at the space in the window, and what I'm using as cut-outs to draw your eye in... Draw your eyes to tell the story.
What are you working on right now?
I'm actually working on the series of beachscapes from several summers ago and I'm now actually tweaking these. So, there's still work, I'm still playing with them. I'm not sure where they're going, but they're going [somewhere].
This story is unpublished, originally planned for publishing in LOCALarts, a subsidiary of LOCALpittsburgh.